“Bus Stop”

“Bus Stop,” released in 1956, is a romantic drama set against the backdrop of the American Midwest. This film, directed by Joshua Logan, adapts William Inge’s play into a cinematic exploration of love, dreams, and the search for personal identity.

The Story of Chérie and Bo

The film centres around Chérie, a nightclub singer played by Marilyn Monroe, and Bo, a naive cowboy portrayed by Don Murray. Their encounter during a rodeo event leads to a whirlwind of emotions, misunderstandings, and a poignant journey of self-discovery for both characters.

The Cast and Creative Vision

Marilyn’s performance as Chérie is acclaimed for its depth and vulnerability, showcasing her talent beyond the usual glamour roles. Don Murray, in his debut role (which received an Oscar nomination), captures the innocence and brashness of Bo convincingly. The film’s direction by Joshua Logan and the screenplay adaptation by George Axelrod add layers of complexity to the original play. Marilyn also had more creative freedom with this picture, even though it was not officially part of Marilyn Monroe Productions. Joshua Logan was incredibly patient with Marilyn and had tried to offer advice to her next director, Laurence Olivier, on how best to work with Marilyn, but this fell on deaf ears. 

Themes of Love and Identity

“Bus Stop” is renowned for its exploration of romantic relationships and the quest for identity. The film delicately balances humour, drama, and romance, providing a nuanced look at the characters’ emotional journeys.

Legacy of the Film

Upon its release on 31 August 1956, “Bus Stop” was celebrated for its compelling narrative, Marilyn’s performance, and its contribution to the genre of romantic drama. The film is often regarded as a significant work in Monroe’s career and a classic in American cinema.


Film Credits

  • Studio: Twentieth Century-Fox
  • Format: Color (DeLuxe)
  • Duration: 96 minutes
  • Release Date: 31 August 1956
  • Director: Joshua Logan
  • Screenplay: George Axelrod
  • Cinematography: Milton R. Krasner
  • Music: Cyril J. Mockridge, Ken Darby (vocal arrangements)
  • Editing: William H. Reynolds